Tableau

Leslee’s view of Josiah McElheny’s Endlessly Repeating Twentieth Century Modernism is much more orderly than mine, showing the linear repetition of shiny bottles reflected ad infinitum toward a distant vanishing point. From my angle, I saw a chaos of bottles reflecting bottles reflecting other bottles, the clean geometry of classical perspective being replaced by a self-referential visual clusterfuck. From her taller height, Leslee saw the forest; from my shorter one, I saw the trees. I suppose that’s how it is touring a museum with a friend: the two of you can’t step into the same exhibit twice.

As challenging as it can be to understand a single work of art, singly, adding another perspective can sometimes clarify matters. Viewed on its own while you’re on your own, a single work of art speaks a given language; viewed alongside other works and in the company of other views, that same single work might say something else entirely.

When Leslee and I went to the Museum of Fine Arts in Boston on Friday, we were intent on seeing “El Greco to Velasquez: Art During the Reign of Philip III,” and we did. We hadn’t planned, though, to juxtapose the 17th century works of visionaries such as El Greco with the 20th century Spanish realism of Antonio López García, but we did. How better to understand El Greco’s almost hallucinogenic Toledo landscape than by considering it against López García’s almost photographic Madrid? And how better to appreciate multiple artists’ versions of Mary’s immaculate conception than by viewing them before considering López García’s multiple perspectives of a less-than-immaculate bathroom?

Upon exiting the Antonio López García exhibit and on our way to lunch, Leslee and I passed the reflective bottles of McElheny’s “Endlessly Repeating Twentieth Century Modernism,” which are contained in a reflective case situated incongruously between the Museum’s upscale first floor restaurant and the stairway leading to its more moderately priced basement cafeteria. Perhaps by reflecting upon the shiny bottles of twentieth century Modernism, you can better decide where to eat? The MFA’s two dining venues provide another sort of tableau, with a dazzling parade of culinary choices being another kind of aesthetic object reflecting ad infinitum toward a digestive rather than visual vanishing point. Shall I have pizza or stir-fry, or soup, salad, or sandwich? In this century more than previous ones, we live amidst a dizzying array of choices. Is it any wonder we occasionally have problems seeing the forest for the trees?

On the wall opposite the reflective case containing Josiah McElheny’s Endlessly Repeating Twentieth Century Modernism, along the hallway across from the Museum’s restaurant and on the way to the stairway to its cafeteria, Jim Lambie’s RSVPmfa offers a dizzying array of geometric patterns interrupted by three-dimensional objects–chairs, sequined handbags, and the like–erupting from the starkly flat visual pane into the lived space of passersby. Viewed on its own, RSVPmfa is psychedelic enough, its black and white zebra stripes seeming to swirl with your every step: an optical illusion writ large. As luck, chance, or astute curating would have it, Lambie’s wall seems most interesting when viewed reflected in McElheny’s mirrored case, the endless repetition of last century’s RSVP becoming Postmodern when viewed as an unintentional tableau. Sometimes the best way to view one object is by considering it alongside another radically different one.

Click here for my photo-set of these two juxtaposed works; you can find Leslee’s photos from our day at the MFA here. Enjoy!

 

Dreaming of trees

I’d love to think at least one of the giant bronze baby heads planted outside the Huntington Street entrance of the Museum of Fine Arts in Boston is dreaming of trees. Titled “Day and Night,” the installation was sculpted by Spanish realist Antonio López García and consists of a pair of bookended baby heads: one awake, the other sleeping. Today, both heads were showered with windblown crabapple blossoms.

If you, too, wish to dream of trees, click over to 10,000 Birds for this month’s installment of the Festival of the Trees. There you’ll find enough tree-related links to keep your eyes wide open.

Click here for my photo set featuring Antonio López García’s big babies. You can see their conception here and installation here. Enjoy!

 

Not-quite-busted

One thing I love about being a place-blogger in an urban area like Boston or Cambridge is the way no one seems to care if you stop, snoop, and snap photos: there’s nothing you’re doing, after all, that’s any weirder than anything anyone else is doing.

Although I know folks who have been asked not to take photos in particular public places, I’ve never been confronted for my shutter-buggery. Either I look boring enough that I don’t arouse suspicion, or I look weird enough that folks aren’t surprise when I do something quirky with a camera.

Usually when I snap photos in public places, I try to be discreet: not only do I not want people to think I’m taking photos of them, I don’t want to call attention to myself. One of the benefits of using a purse-sized digicam is the fact I can pull out my camera quickly, snap a few surreptitious shots, and then sneak it back into my pocket or purse before anyone’s noticed what I’m doing. If there are people milling around something I want to photograph, I’ll typically wait until they disperse, or I’ll refrain entirely from taking pictures. The last thing I want to do is make myself an object of attention while focusing my attention on some interesting object.

As I was composing the above photo of the graffiti along Modica Way, for instance, I heard the crack and static of a police officer’s two-way radio as a faceless person passed behind me. “Holy crap,” I thought as I froze mid-shot. “All I need is for Mr. Cop to ask me what I’m doing in a graffiti-covered alley taking pictures.” After I’d snapped my shot, I looked down Modica Way to see Mr. Cop walking away unconcerned, a McDonald’s bag in one hand. I don’t know how Cambridge cops feel about street artists, but apparently hungry officers won’t interrupt their takeout breakfasts to harass place-bloggers who like to snoop and snap.

Click here for a photo-set of images from today’s and yesterday’s posts. Enjoy!

 

Easter eggs

On Sunday mornings when I’m scheduled to give consulting interviews at the Cambridge Zen Center, I make a point to arrive in Central Square early so I can take a quick walk, camera in hand, to see what’s new in my old neighborhood.

Taking a quick stroll around the Square helps clear my head before I meditate…and it’s one way I heed Cambridge’s official command that I “Be curious!” What better way, I think, to put the Buddha’s mantra of “What is this?” into practice than by taking a quick spin around the block to see what’s changed since the last time I strolled the streets?

Central Square, like any urban neighborhood, is always full of surprises. I already knew from blog reports that a new crop of street art had sprouted like spring wildflowers along Modica Way since the last time I’d taken pictures there. Every time I walk around Central Square, I see something I hadn’t noticed before–something new, perhaps, or something I’d previously ignored. Even though I lived in Central Square for two and a half years more than a decade ago, the streets there still surprise me. Even if I were Kwan Seum Bosal with her thousand hands and eyes, I still wouldn’t be able to take it all in.

The surprises you encounter in urban neighborhoods like Central Square shouldn’t be surprises: in urban areas, nothing should surprise you. Are you surprised to find a cracked but otherwise whole Easter egg lying in the middle of a parking lot more than a month after the holiday? When you remember that the Eastern Orthodox Church celebrates Easter later than we Westerners do, and when you remember that there’s a Greek Orthodox Church in Central Square, a late April Easter egg makes sense.

When I was a child, I always loved looking for Easter eggs because it gave me once-a-year permission to snoop around looking for surprises. In retrospect, I guess keeping a photo-blog gives me a similar excuse to scour my surroundings for things that are interesting or odd.

Once you start looking for Easter eggs, you start finding them everywhere: it’s as if you hone your senses to notice All Things Egg. On Sunday, for instance, I wanted to snap a photo of the Goldenstash decal I’d previously seen on an electrical box at the heart of Central Square…

…only to find the mustachioed man nearly everywhere I looked.

The enigmatic character known as Goldenstash is something of a legend in the greater Boston area, appearing as street art on signs, electrical boxes, and walls.

Goldenstash’s street-mystique has garnered press attention and a slew of Flickr photos.

Going ’stash-spotting, I’ve learned, is a bit like looking for Easter eggs: you’ll find him in the usual spots you’d expect, and then you’ll find him in spots (and in poses, and with people) you’d never have expected.

But just like an Easter egg, you’ll never spot the ’stash until you start looking, even if that means seeming a bit silly as you snoop around.

A street artist’s Everyman, Goldenstash is the ultimate Easter egg. Simultaneously elusive and everywhere, ’stash is a stealthy secret until you learn he’s ubiquitous, sticking around with the sole purpose of being spotted by someone, sometime.

After having snapped these shots in Cambridge on Sunday morning, later in the day I spotted Goldenstash on the back of a sign somewhere in Jamaica Plain while a friend drove down unfamiliar-to-me streets on our way to dinner. I wasn’t quick enough with my camera, unfortunately, to achieve a drive-by ’stash-shot, so you’ll have to believe me when I say the mustachioed one is everywhere.

 

Still sitting pretty

Now that the maples of Newton are bursting into leaf and flower, the cardinals here are still sitting pretty, just as they were back in February when the trees were bare.

 

Loving it?

With all the spring sun we’ve been getting in New England these days, even the trees are thirsty, sneaking surreptitious sips of high fructose corn syrup in the form of McDonald’s sodas. Either that, or “leaf litter” isn’t the only kind of dry detritus you can find in the woods in springtime.

Last week in Keene, we had our first fire warning of the season: a reminder that low humidity and dry leaf litter make for dangerously flammable forests. This weekend in Waban, the “fire” outside is metaphoric, with forsythia blooming like a yellow-hot blaze in suburban yards and gardens.

Although I mentioned Earth Day earlier this week, yesterday I was remiss in remembering Arbor Day. Steve was similarly remiss, mentioning today that he’d forgotten both Earth and Arbor Days, presumably because he was “not watching the calendar closely enough!” For good or ill, neither Earth nor Arbor Day is on my calendar, but I’d like to think that doesn’t matter: wouldn’t it better for us (and the health of the planet) if we spent less time watching our calendars and more time listening to trees?

In New England at least, the trees right now will tell you it’s spring, their “words” being unfolding leaves, blooming flowers, and (in the case of pines) a yellow dusting of pollen. Before he died, Thoreau had intended to construct a local “Kalendar” that, according to Bradley Dean, would provide a biological time-line of the natural year, with the blooming and breeding of plant and animal species serving as temporal markers:

Apparently he intended to write a comprehensive history of the natural phenomena that took place in his hometown each year. Although he planned to base his natural history of Concord upon field observations recorded in his journal over a period of several years, he would synthesize those observations so that he could construct a single “archetypal” year, a technique he had used to wonderful effect in Walden.

In my neck of the woods, I’ve learned, trout lilies bloom at the end of April, and forsythias flame not long after. I don’t need a calendar to remind me of that fact, just my blog (the 21st-century, high-tech equivalent of Thoreau’s journal) and photo archives. Next week, I’m hoping the wake-robin (Trillium erectum, also known as purple or red trillium) will be blooming since I have an unofficial ritual of blogging them on May 1st, whether at Goose Pond or Beech Hill. After May 1st, I’ve learned from years of New Hampshire living, the black flies will emerge, and my days in the woods around Keene will be numbered, at least until blood-sucking insects die off.

It might be true that the trees of the greater Boston area are fond of McDonald’s soda, but I’d prefer that instead of “loving it,” they simply leaf it. Steve rightfully notes that every day should be both Earth and Arbor day, for “When should we not be thinking about trees, about the health of the planet?” Between you and me, I think the trees in New England and elsewhere would be healthier if they just said no to soda.

This post is a roundabout excuse to mention two tree-related things. First, the Nature Conservancy is spearheading an effort called Plant a Billion Trees which is attempting to re-forest a richly bio-diverse (and unfortunately endangered) area in Brazil. If you, like Steve, can’t plant a tree in your urban backyard, you might consider donating to the cause of “One dollar - One tree - One planet.”

Second, don’t forget to submit your tree-related links and pictures to next month’s Festival of the Trees. You can send permalinks to mike (at) 10000birds (dot) com, submit them via the Contact page at 10,000 Bird’s, or use the Festival’s online submission form. The deadline is April 29, so get moving!

 

Electricity

Circus performer Yelena Larkina looks positively electric in this photo from the Big Apple Circus last weekend. Surely this is what a cloud of electrons twirling around a nucleus looks like, at least if atoms consisted of circus performers spinning a half dozen silver hula hoops.

This is my contribution to today’s Photo Friday theme, Electricity. You can see a photo-set from the Big Apple Circus here.

 

Independence Day

Every spring, I can’t help but snap photos of the year’s first leaves. These pictures are like those of New Year’s babies shown on the front pages of newspapers everywhere. Every year, the first baby of the New Year qualifies as news that’s fit to print, and every year, I show you the baby leaves in my neck of the woods.

In past years, I’ve waited until May to show you New Hampshire beech leaves unwrapped; this year, it’s the April maples of Massachusetts. Regardless of the state or the species, the upshot is the same: as we speak, the gray, barren woods of winter are starting to sprout into something lush and lovely, the exact opposite of autumn’s annual strip-tease.

Mature leaves seldom strike us as special: trees are common in New England, and each one is covered with countless leaves. But when new leaves first appear, they are simultaneously unusual, odd, and cherished. New leaves often look distinctively different from their mature counterparts, as if baby leaves were alien life forms that only later morph into something known and familiar. New leaves also herald a new season, with local trees’ decision to cover their bare branches happening right when we bundled New Englanders are deciding to cast off our layers, trading turtlenecks for T-shirts, pants for Capris and shorts, and boots for sandals. Perhaps alongside each year’s first green leaves, I should start a tradition of showing you the first naked toe of the year: a whole other reason to celebrate.

Today is Patriot’s Day in Massachusetts, a state-wide remembrance of the Battles of Lexington and Concord, which marked the official start of the Revolutionary War on April 19, 1775: America’s real birthday. I’ve previously blogged my impressions of the green and leafy landscape where the shots heard ’round the world were initially fired, and I’ve also blogged the role that New Hampshire more-than-a-minute men played in the conflict. What I haven’t previously noted, though, is the happy coincidence that the American colonies began their fight for independence right as New England trees were declaring their own green victory over another winter, with unfolding leaves casting off the oppressive bonds of bud-scale and killing frost. It’s the kind of green-flagged victory that even the most pacifist among us can celebrate with abandon.

 

Cold

Now that spring has sprung in Boston, it’s far too warm to walk the streets in full protective hockey gear. But the fact that these four goalies were walking out of a bar–along with the fact that their jerseys suggest they play for team Molson rather than either the Boston Bruins or Montreal Canadiens, who duked it out in a red-hot NHL playoff game at the TD Banknorth Garden last night–suggests that all hockey fans, regardless of team affiliation, share an affinity for beer. After all, both hockey and beer, like revenge, are best served ice cold.

This is my contribution for this week’s Photo Friday theme, Cold. Since we had plans to be in Boston yesterday afternoon, J and I tried to get tickets to last night’s playoff game…but now that the Bruins are winning, their tickets are a hot commodity, leaving J and me out in the cold.

 

Red in tooth and paw

If you’ve ever wondered what your cute little kitty does when you let him or her outside, here’s a partial answer. Not only can house cats catch and kill birds and mice, they occasionally kill and eat squirrels.

And yes, this cat was enthusiastically eating a squirrel when J and I spotted her during an afternoon walk around Newton this weekend, even though by the looks of it she wasn’t wanting for food. When has simply being well-fed stopped any of us from saying “no” to a particularly tempting tidbit?

We pet-owners seem to think a collar, a regular supply of kibble, lots of cuddling, and several hundred generations of domestication can irrevocably redeem cats and dogs from their “wild” ways, but occasionally even the most pampered pussy returns to her natural predatory habits. In discussing the ethics of meat-eating, my undergraduate Eastern Philosophy professor described some acquaintances’ misguided attempts to raise vegetarian pets. “It is in a cat’s dharma to eat meat,” my professor explained after having defined “dharma” as the underlying nature or “law” of a given creature. Expecting a cat to live like a meat-eschewing Buddhist monk was contrary to the laws of nature, he suggested, and was thus doomed to failure.

If you own cats and love nature, the best thing you can do to protect all creatures great and small is to keep Kitty inside. Even thickly settled suburbs like Newton offer a tasty array of feline temptations…and even the suburbs are wild enough to harbor coyotes that consider cats as cuisine.

J has nine cats, and they all live happily indoors…which is why both rabbits and squirrels romp with abandon in his yard, taunting dogs and cats alike. If this sounds like a happy version of the Peaceable Kingdom, take note: J’s resident backyard rabbit demonstrates a voracious fondness for fresh spring greenery, which is the kind of predatory dharma cottontails are prone to. Regardless of your species or level of domestication, it’s a jungle out there.