Yesterday J and I went to the Charles River Esplanade for the “Massachusetts Remembers 9/11” concert and ceremony at the Hatch Shell.
Sunday was a mild and sunny day–a day reminiscent of that turquoise-skied Tuesday ten years ago–so the Charles River was dotted with sailboats and kayaks while the Esplanade was thronged with cyclists, sun-bathers, and families with strollers. It was a day so lovely, you could almost pretend it was any ordinary Sunday until you came to a colorful patchwork tapestry spread on the grass like an enormous picnic blanket.
Half the size of a football field, this American flag consists of 50,000 red, white, and blue squares that contain messages written by Massachusetts school children in the aftermath of the 2001 attacks: a two-dimensional time-capsule to remind us of darker days.
J and I arrived at the Hatch Shell early, so we were able to enjoy a pre-concert performance by the Berklee College of Music’s Rhythm of the Universe, a collaborative project consisting of musicians from 90 countries from around the world.
It seemed somehow apt that the first melodic line J and I heard as we approached the Hatch Shell was that of a headscarf-wearing woman keening to a Middle Eastern melody. It was a sound that was both moving and mournful, as clear and ethereal as a muezzin’s call to prayer.
The two-hour concert and ceremony featured prayers led by the Massachusetts Interfaith Leadership Coalition and musical performances by the Boston Pops Brass Ensemble and the Boston Children’s Chorus.
My thoughts, however, kept going back to the eclectic sounds of the Rhythm of the Universe, who illustrated quite vividly how the cultures of the world can come together to create harmony if they are united by a common melody.
Click here for a photo-set of images from the “Massachusetts Remembers 9/11” concert and ceremony.