Earlier this month, J and I went to two open-air art festivals: the Beacon Hill Art Walk at the beginning of the month, and the Coolidge Corner Arts Festival the following weekend. I’d been to the Beacon Hill Art Walk before–on previous visits, I primarily enjoyed the opportunity to explore hidden courtyards and alleys not typically open to the public—but J and I had never even heard of the Coolidge Corner Arts Festival even though it’s been around for more than 30 years.
“En plein air” is a French term that refers to the practice of painting outside in the open air, as a landscape artist with an easel might. Although the Beacon Hill Art Walk and Coolidge Corner Arts Festival featured a handful of landscape painters and photographers, there were also many glassblowers, potters, welders, and other artisans who typically ply their crafts inside. But even though many of the works J and I saw might have been created inside, they seemed to come into full bloom when displayed outside in the open air, where tents provided shade while encouraging the free circulation of both breezes and browsers.
Another term that the French use for painting outdoors is “peinture sur le motif,” which translates as “painting on the ground.” I love this phrase for the simple image it creates of artists who are literally grounded, both their bodies and their easels rooting them to the scenes they capture. “Painting on the ground” pins you to a particular spot: instead of painting metaphorical castles in the sky, you paint whatever you see right here, right now, in this present place and time.
Although J and I didn’t see anyone “painting on the ground” at either the Beacon Hill Art Walk or the Coolidge Corner Arts Festival this year, I’d like to think the artists we saw are metaphorically grounded: local artists and artisans proudly sharing their work with an appreciative community out in the open air.
Click here for more photos from this year’s Beacon Hill Art Walk and the Coolidge Corner Arts Festival. Enjoy!