February in New England feels like waiting. We dig out from one snowstorm then brace for the next; we count the days until pitchers and catchers report for Spring Training. March is muddy and messy, but at least it holds the hope of spring. February, on the other hand, is just winter grown old.
Last week J and I went to a matinee BSO concert. Symphony Hall is an insulated, bunker-like space: it’s sometimes described as a building inside a building, with the outside walls keeping the street-sounds out and the inner walls keeping the sound of music in. When you’re inside Symphony Hall, it’s as if the outside world doesn’t exist. Inside Symphony Hall the environment is warm and attentive, with every ear attuned to an incoming wave of music. Outside, the world is cold and cacophonous, both the winter wind and the blare of car horns battering your senses the instant you leave.
Both phones and photography are forbidden during BSO performances, so any photos I take show pre-concert warmups or the hush of intermission. February in New England feels like an intermission between the thunderous timpani of winter and the peaceful piccolos of spring. In February we sit like a lone cellist, our fingers poised over silent strings we’re well-practiced and ever-eager to play, waiting.