Japanese barberry

Sometimes when a new acquaintance asks me what I do for a living, I say I teach panic management strategies.

Writing is a form of controlled panic. There is that sudden sinking feeling when you face the blank page, again, and wonder how you’re ever going to fill it. It doesn’t matter how many times you’ve started from scratch before: there’s always a flash of panic that this time, for the first time, the words won’t show up.

Writing isn’t about getting rid of this perennial sense of panic; it’s about managing it. You befriend the Inner Critic who says you’re a nobody with nothing to say. You silently nod, smile, then ignore this voice, treating it as an annoying but ultimately innocuous stranger sitting next to you on the bus. No need to heed the opinions of someone who doesn’t even know you.

Managing panic means learning to live with it, recognizing it as a burden that doesn’t slow or stop you. Panic is like an albatross around your neck: annoying, yes, but neither final or fatal.

Writing is about scribbling on even though panic is screaming in your ear: in time, with practice, you’ll learn to overlook and overcome it. “Oh, yes,” you’ll say to yourself. “You again.”

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In my first-year classes at both Framingham State and Babson, we start with five minutes of freewriting. Students are free to write about whatever they’d like, but I post three random words to give students a nudge if they have nothing else to write about.

Today’s post comes from yesterday’s five-minute entry in response to the word “Panic.”