Nature & animals


Daffodil field

When A (not her real initial) and I went to the Tower Hill Botanic Garden back in October to see Patrick Dougherty’s stickwork installation The Wild Rumpus, we didn’t know more than 25,000 daffodil bulbs were quietly sleeping beneath a grassy field we passed along the way. Yesterday, that field of daffodils was blooming, and the flowers were buzzing with families, photographers, and parents posing their babies for pictures.

Pigsqueak bergenia

Spring is a season of surprises. Throughout the long months of winter, the earth lies bare and barren, completely devoid of the lushness of summer. It’s easy to think the earth is dead or depleted, Persephone descended to the Underworld forevermore.

But the earth never tires, nor does she forget. When the days lengthen and the soft rains come, something underground starts to stir. Out of barren dirt, green shoots appear, then leaves, buds, and flowers. In Zen, we say that when spring comes, the grass grows by itself, and that truism applies to daffodils as well. When spring comes, the flowers open by themselves.

Notebook-finishing day

Today while writing my almost-daily journal pages, I filled one Moleskine notebook and moved onto the next. Notebook Finishing Day always feels like a special occasion: just by keeping at it, the pages fill.

Snow on the ground, new leaves on the shrubs. #signsofspring

I’m reminded of the story I re-read in Sandra Cisneros’ The House on Mango Street this morning: “Four Skinny Trees,” about the four city-planted saplings on Esperanza Cordero’s street. They teach her “how to keep” by sending down “ferocious roots.” These trees, she says, “grown down and grab the earth between their hairy toes and bite the sky with their violent teeth and never quit their anger.” It’s an image that could have been written only by a girl who had watched trees twist and toss their leafy heads in summer storms: a girl like me, or Esperanza, or Cisneros.

Almost spring

The four skinny trees give Esperanza hope when she is “too sad and too skinny to keep keeping, when I am a tiny thing against so many bricks.” The four skinny trees grow “despite concrete,” and so does Esperanza. Like the trees, she “reach[es] and do[es] not forget to reach.” This is how we all keep and keep keeping.

Emergent

I write my journal pages on paper, a product made from trees. This is, I think, part of why I like to write by hand. The touch of the page reminds me of all the trees I’ve known, like the big, branching maple tree in the courtyard of my childhood home, in whose leaves I’d play every fall: one of my closest childhood friends. Every child should have at least one tree–a big branching one, or several smaller skinny ones–to teach her how to stand, how to hold the sky, and how to keep. That last one is the most important: a lesson to last into adulthood.

Spring green

Tree at my window, window tree–why are there so many songs about rainbows, and so many poems about trees? Trees just keep keeping their quintessential tree-ness; there is no running away when you have roots. Day by day, page by page, I keep writing, most days not knowing what I want to say until the words appear under my pen: thoughts about the weather, worries about work, complaints and quibbles. All these are uttered page by page, leaf by leaf: baby leaves becoming big leaves becoming insect-eaten leaves becoming fallen leaves becoming compost. Leaves gathered in bushels and pages contained in books: this is how we keep keeping, “our only reason,” as Cisneros says, “is to be and be.”

Desert Room, with Desert Gold Star

Yesterday on NPR, I heard a story about a super-bloom of wildflowers in the California desert: a surge of lushness caused by an unusually wet winter. I listened to this story as I loaded the dishwasher, my eyes looking out on our snowy backyard.

Congregating

Flowers in the desert seemed very far away, but that wasn’t the best part of the story. Instead, it was this: the park ranger they interviewed said these seeds had been lying underground, dormant, for decades or even centuries–that in some places now covered in flowers, they didn’t know how long it had been since it had rained.

Right then and there with my wet hands in the sink, I knew who my new heroes would be: faceless seeds, buried and smothered in arid darkness, waiting. “Nevertheless, they persisted”–cotyledons coiled in seed cases, more patient and resilient than any of the rest of us.

Spiny

Trump’s budget has felt like a kick to the gut–so much cruelty masquerading as conservatism. I get conservatism–it’s about values and sacrifice–but Trump understands neither. It’s heartbreaking to think of a party so small-hearted, it would grab food from the elderly, care from the sick, and shelter from the poor. Trump claims to be rich, but he’s the most tight-fisted man I know: a miserable miser who wants to steal beauty and kindness and compassion from the rest of us.

Desert florets

And yet, we are seeds, and we continue to grow and germinate because the “force that through the green fuse drives the flower” cannot be denied. Trump’s roots are shallow and his will weak: “Low energy! Sad!” In two years, four years, eight years–however long it takes–we seeds will sprout and flower, a super-bloom of beauty.

Letter to Maezen

The photos illustrating today’s post come from a 2012 trip to Phipps Conservatory in Pittsburgh. The text of today’s post comes from a letter I wrote yesterday to Karen Maezen Miller, who lives in the lushly flowering state of California. Before I sealed that letter in an envelope to mail across the country, I realized it was a letter to the world, that never wrote to me.

Memorial labyrinth

Today I’m supposed to get together with A (not her real initial), walking the labyrinth at Boston College then having potato pancakes at the diner in Newton Centre.

Memorial labyrinth

Tomorrow J and I are going to Angell to adopt two cats–George and Gracie–that were surrendered by a breeder/hoarder in New Hampshire, a woman with 40 cats. They are shy and not well socialized–our job will be to get them acclimated into the house and also to get them comfortable around people. We’d intended to adopt just one cat to fill the spot left by Bunny when she died, but since George and Gracie find comfort in cuddling together, we didn’t want to split them.

Nina and Gumbo continue to cuddle me whenever I sit on the loveseat in the master bedroom–Nina on my lap and Gumbo sprawled across my chest. Nina was incredibly shy when we first adopted her–she spent her first few weeks under the bed–but now she runs up and falls at my feet when I walk into the room, begging for a belly rub.

Memorial labyrinth

And so we slowly socialize each of the cats we adopt. Frankie and Bobbi will never be lap cats–they’re too feisty and independent for that–but they each tolerate petting as long as it’s brief.

The world is filled with suffering: so many bad, sad situations I am powerless to fix. But I know how to comfort cats and tend to dogs, and so I do that as a small act of devotion I offer to a suffering world.

This is an entry I wrote in my journal on January 30, 2016, along with photos I took and promptly forgot about. I don’t remember what bad, sad situations I’m referring to in the final paragraph, but what was true then is just as true now.

Nina and Gumbo continue to climb all over me, looking for cuddles, whenever I walk into their room, and Frankie and Bobbi are still as feisty as ever. And one year after we adopted them, George and Gracie now let me pet their heads but are otherwise shy.

Upclose bison

In the summer of 2002, my then-husband and I took a long Western road trip, spending two weeks driving some 11,000 miles in a rented SUV with our dog. From our home in New Hampshire, we drove through Virginia, Arkansas, Texas, Arizona, then up the California coast before turning east toward home. Along the way we leapfrogged from one destination to another, stringing a great continental necklace studded with the Great Smoky Mountains, Petrified Forest, Redwood, Yellowstone, and Badlands National Parks.

Baby bison

I remember very little from this trip. It was before I’d started blogging, and my then-husband and I took only a smattering of pictures with a large, state-of-the-(then)-art digital camera that saved photos to a floppy disk. We spent most of our two weeks driving, trying to make good time rather than having a good time: many of my photos were shot from a moving car as we hurried from one destination to the next, the trip itself blurring into a fog of long-driving days and too little time spent walking.

Road bison

I revisited the photos from this trip after recently starting to read Terry Tempest Williams’ The Hour of Land: A Personal Topography of America’s National Parks. Williams’ book is a meditative rhapsody on the impact national parks have had on her psyche: wherever she encounters it, wilderness is a balm that soothes Williams’ soul. When I reflect back on my own hopscotch trip from national park to park to park, what I (sadly) remember is the disappointment I felt at how little time we spent at each one.

Grazing bison

Whereas Williams describes wilderness as a place to slow down and appreciate otherwise overlooked natural wonders, the pace of that long-ago road trip was set by my then-husband, who was habitually driven by his own restlessness. Looking at my pictures of that trip is both strange and surreal: although I was there to either take or pose for these pictures, it feels almost voyeuristic to look back on what seems like another lifetime lived by someone else. When you’re in a hurry to arrive anywhere but here, you come home feeling like you’ve been nowhere at all.

Lori in Redwood

Spring peony

I submitted the last of my Spring semester grades on Monday but have spent the rest of the week in various faculty meetings and workshops: a flurry of academic obligations before everyone’s thoughts turn to summer. Every year, I feel like spring secretly slips into summer while I have my nose buried in a pile of student papers: one minute, the trees are bare; the next, they’ve leafed into green.

Preening red-tailed hawk.

I think of peonies as summer flowers: the one in our backyard waits until June to bloom. But the peonies at Mount Auburn Cemetery are already blooming while the late-leafing oaks ease into green. For the past few weeks, our backyard trees have been alive with warbler songs, a morning medley that goes twitter, buzz, and sneeze. At Mount Auburn this afternoon, a half dozen tom turkeys puffed and strutted for a lone female, and a placid red-tailed hawk preened in a tree, politely ignoring the inquisitive human below.

Crash in afternoon light

Earlier today, in the middle of a perfectly beautiful spring afternoon, we put Crash the cat to sleep. Like Bunny, whom we’d euthanized in January, Crash was 17 years old–a ripe age in cat years–and had been hale and healthy until he noticeably wasn’t. Whereas we’d tried to slow Bunny’s decline from kidney disease with a several-day-long hospitalization in the veterinary critical care unit that bought her only a few more weeks of quality time, we opted to keep Crash at home until the end, recognizing the signs of terminal kidney failure and opting for palliative care instead of extraordinary measures.

King of the refrigerator

Each of our cats has his or her own personality, and Crash’s was the most irrepressible. He should have been named “Houdini” for his proclivity for squeezing into places he didn’t belong: if there was a door ajar anywhere in the house, Crash was there in a flash to squeeze his way through it, perpetually curious about life on the other side.

Crash grooms Snowflake

Crash was never much of a lap-cat; he was too active and athletic for that. Although he wasn’t one to sit in your lap and allow himself to be petted, he did enjoy grooming the other cats, licking their heads and necks–the spots they couldn’t easily clean themselves–with an attention that suggested he’d been a hairdresser in a previous life.

Proof that cats and dogs can get along

Crash had an impish personality: he was a perpetual teenager, long in leg and mischievous in attitude. When Reggie started to struggle with stairs, Crash would torment him at every step, pouncing on Reggie’s tail and batting the fur on his hind legs, a playful brat who loved to harass his elders. After I took to carrying Reggie up the stairs, Crash mellowed and began hanging out with Reggie as he lay in whatever spot I’d arranged him, too feeble to stand. One of my favorite pictures of the two of them shows Crash keeping Reggie company as he rested in a square of morning light, their similarly colored fur aglow.

Crash on windowsill

There is, I’ve found, a strange sort of quiet calm that descends upon the house after one of the pets has died: Crash is the seventh pet we’ve lost since March, 2015, so I’ve come to know the drill. When you arrive home after euthanizing a pet, the house seems large and unnaturally quiet. Regardless of how large the animal was in life, in death his absence looms huge: an elephant that has left the room.

I think this oversized sense of emptiness arises because of how much care a dying pet requires. When a pet is dying, part of your mind is always devoted to him: is he fed, watered, and otherwise well-tended, and is there anything else (anything!) you can do to make him comfortable? When you come home after euthanizing a pet, there is a brief sense of shock when you realize there’s no longer anyone to fret over. You can put the IV stand with its bag of intravenous fluids away, wash the dish that had held the syringes full of medicine, and tidy up the sloven corners where your now-dead pet had been accustomed to nap.

Chilling out on a hot day

The pillows upon which Crash had rested these past few days are in the wash now; soon enough, after the initial novelty has subsided, the remaining pets will reclaim them. Nature abhors a vacuum, and a house full of pets doesn’t stay calm and quiet for long, the remaining pets with their remaining lives expanding to fill the emptiness left by one of their own reaching the end of his ninth.

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