Mountain laurel on drizzly day

Yesterday was a cool, gray day with a fine, misty drizzle: a day the Irish call “soft” but Americans call “gloom in June.” Personally, I don’t mind drizzle. Cool days make for comfortable sleeping, and misty days aren’t bad for walking: just wear a ball-cap and waterproof jacket, and you have no need for an umbrella.

Raindrops

Yesterday morning I sat at my desk writing with windows closed and the sounds of the street trickling in: a patter of raindrops, bursts of wind rattling the windowpane, a distant siren, and the intermittent chirps of birds. The dog lay resting behind me, her body right up against my chair; it was so quiet, I could hear her breathing. These are the simple moments I cherish–quiet, contemplative moments after I’ve meditated when the scratch of the pen on the page seems completely of-a-piece with my practice–meditation with and without pen.

Mountain laurel on drizzly day

I’ve started to read Yawn: Adventures in Boredom, by Mary Mann. So far, it isn’t what I’d expected: I thought it would be more about the science of why we yawn and the state of “zone out” we sometimes label boredom, although it often goes by other names. But instead, the book is an uneven collection of semi-autobiographical essays loosely related to the topic of boredom, written by a woman who seems terrified to think she might ever be bored or boring.

Mountain laurel on drizzly day

The result is a frustrating and disjointed book, with a lot of subtopics that are worthy of further exploration, like the intersection between boredom and spirituality (think acedia and the Desert Fathers), boredom and sex (think sex toys and sexual fantasies), and boredom and violence (think soldiers consuming porn during wartime and the psychology of thrill kills). As soon as Mann touches upon an interesting way boredom says something deeper about our society and ourselves, however, she skitters off in another direction, as if fully exploring any one idea for a sustained period is (alas) too boring.

The result is a book about boredom for the ADHD generation, with fascinating half-thoughts interspersed with rambling autobiographical associations. (I feel a bit embarrassed, for example, by the amount of information I know about Mann’s relationship with her boyfriend, Grant, but that’s probably because I grew up before the Oversharing Age.)

Raindrops

Although I’m infinitely interested in boredom, I’m not the ideal audience for Mann’s book: I’m probably the exact opposite. Mann (like, perhaps, others her age) fears and thus wants to avoid boredom; I, on the other hand, want to embrace it. Boredom is valuable because it is the entrance to something deeper, the greatest treasures hiding behind nondescript doors. Boredom is the blank patch of soil where the seeds of insight sprout…but if you continually dig up that soil to check the progress of those seedlings, the plant you’re tending will quickly die.

Mountain laurel on drizzly day

As a Buddhist, I make it my practice to cultivate boredom: that is, after all, what modern meditators and the Desert Fathers share. Sitting and watching one’s breath is the most boring thing a person can intentionally do, and that is exactly what monks and meditators do to maintain and strengthen their mental focus. Flitting after butterflies, chasing rainbows, and compulsively checking email and social media are all fine and good; we’ve all done (and do) these things to fritter away nervous energy. But if all you have is flitting and chasing–if your mind isn’t also practiced at stopping and staying–you’ll struggle to attain depth.

Throughout the essays in Yawn, Mann wades ankle-deep into interesting insights only to retreat suddenly to shore rather than wading deeper. Yawn, in other words, reads like a mind-map for a larger, more interesting project, assuming Mann could pick a focus and stick with it. Ultimately, my advice to her is the same as I give to my writing students: feeling bored with a topic is a sign you need to slow down and go deeper.