Blogs & blogging


Pinecone on trashed sofa

Last month I vowed to blog every day; this month, I’m trying to post every other day. During the month of February, in other words, I’m trying to Blog the Odds.

”Blog the Odds” is my shorthand to myself to post on odd-numbered days. Already this month, I posted on the first, third, and fifth, but only because when I was tempted to skip posting, my own self-set goal pushed me.

In theory, I shouldn’t need tricks and challenges to post more frequently: in theory, I should just do it naturally. But in reality, there are always many other things clamoring for my time and attention, so I need some sort of promise to push me to Do The Thing I want to do, not only the things expected by others.

Today has been a busy day, full of grading and teaching and all sorts of juggling. There are, in other words, plenty of things that must get done, with outside forces pressing me to them.

Promises made to yourself are easy to skip or shortchange: an inner urge isn’t as loud as an external authority, and nobody but you knows if you break a promise made only to yourself. The challenge is to make yourself your own accountability partner.

Dapper

Last night, right before I turned off my laptop, I dashed off and posted a brief blog post about going to the bank and having a teller I’ve never met wish me a happy birthday and then offer condolences on the death of my Mom.

It was a post I wouldn’t have (hurriedly) written then published if I hadn’t made an arbitrary commitment to blog every day this month. While other folks are observing Dry January, I’m observing my own version of National Blog Posting Month in January instead of November.

Making an arbitrary promise to write and post even when you presumably have nothing to say forces you to press past your inner critic. Perfectionism gets tossed aside in favor of posting something, anything. The bar for Good Enough gets lowered and lowered and lowered again until even tripping and falling over that bar counts as “done.”

Since writers typically have impossibly high standards for their own work, a post I think is total rubbish might still resonate with readers, who have no Perfect Post in their head to compare it to. Whereas I compare everything I write to the Perfect Ideal in my head, a post that is published is automatically superior to No Post At All.

First leaves

The shrubs that line our driveway are sprouting their first tender leaves, and I can’t resist photographing them, just as I do every year. J and I joke that there is nothing more cliched than taking macro shots of flowers, but that doesn’t stop me from photographing crocuses or the first green shoots to emerge from our winter-blighted yard.

Probably daffodils?

Yesterday Beth Adams posted a Facebook link to the Substack repost of her Cassandra Pages 20th anniversary post: yes, this is the convoluted way we read blogs nowadays, through mirror posts linked on social media. Regardless of how I found it, Beth’s post was filled with the slow, long-form writing she’s been doing all along, with photos of her botanical illustrations: a visual and intellectual delight.

First leaves, with hand to focus

In her post, Beth acknowledged how difficult it is to keep blogging for years without repeating yourself. This is a concern I abandoned long ago. I know I repeat myself year after year, just as the trees sprout the same old leaves in spring.

Windblown

As the end of the term approaches, my first-year students are working on a Theory of Writing project that asks them to consider how they work as writers.

My students at Babson College have been working on this assignment for several weeks, and my students at Framingham State are just starting. In both cases, I asked students to read an essay by novelist Zadie Smith in which she talks about her writing craft.

One of the things Smith does in her essay is describe the phases of a novel’s composition. In discussing this essay with my students, I asked them to consider the steps or stages they go through when working on a paper, and I in turn considered the steps I go through when crafting a blog post.

  1. Start by writing by hand, in a notebook, about whatever comes to mind.
  2. Go back and type up relevant or usable bits from that hand-written first draft, wordsmithing sentences as I go.
  3. Re-read the entire thing, adding transitions, deleting redundant or clunky passages, and adding additional paragraphs or a conclusion as necessary
  4. Add a photo, decide on a tagline for social media, and publish.

This first approach is the ideal workflow for me: start by writing by hand, usually with no (or only a vague) idea of what I want to say. But when life is busy, sometimes the process looks more like this:

  1. Open Google Docs
  2. Start typing on a broad topic, agonizing over sentences as I write
  3. Step 3: Re-read, revise, and post as described above.

This second approach is quicker insofar as I eliminate the step of writing by hand…but it’s more tortuous. If I start with writing by hand, my thoughts flow more quickly and naturally. For me, thinking on paper is akin to thinking out loud, but safer: only I see that initial scribbled draft. When I write by hand in my journal, I’m chasing ideas, not wordsmithing sentences. This means my ideas come out fresh and raw, with the reassuring knowledge that I’ll make them pretty later.

If I go straight to typing, my attitude toward composition is different. I’m more hesitant and halting. I pause over sentences and go back to re-read, spending as much time going backwards as going forwards. Although these typed drafts are still rough, they feel more formal and intimidating. I’m more mindful of audience–that is, the fact that someone will eventually read this–and that makes me spend more time hemming and hawing over every sentence..

If blog-writing Process One is my most ideal writing scenario and Process Two is what I do when life gets busy, blog-writing Process Three is what I rely upon when I’m even busier. When I’m really, really busy, I sometimes post directly to the WordPress app on my phone, typing with my thumbs to comment on a picture I’ve uploaded. But this third approach is so far from my ideal, I hesitate to even mention it.


Norway maple leaves

I’ve made a list of blog post topics for the coming days: one way of leveraging the law of momentum over the law of inertia. When you’re out of the practice of blogging, it feels impossible to think up topics to write about: when you aren’t writing, it is natural to believe you have nothing to say. This is the law of inertia: it’s difficult to start doing something you haven’t already been doing.

But once you start doing something, it’s easier to continue: this is the law of momentum. The more you write, the more you think of things to write about. The quality or brilliance of your thoughts doesn’t change; you just adjust your expectations. Instead of waiting for an Obviously Brilliant thought to show up, you learn to embrace ideas that are Good Enough. Once you do that, other Good-Enoughs come flooding in.

During the month of November, I’m trying to blog something–a photo and at least a sentence–every day, even if that means posting from my phone with my thumbs. Instead of “saving” my blog for longer posts about deep thoughts, I want to return to the habit of posting more frequently. If you lower your expectations far enough–only a sentence, nothing sustained or brilliant–the law of momentum takes over: one sentence leads to another, and one idea invites its friends.

Now at occasional moments throughout the day, I think of random ideas for blog posts: nothing profound, just a phrase or idea that’s good enough to spur a sentence. And now that I have some seeds for sentences, I have the antidote to inertia: a place to start and a way to get rolling. Once you set one word after another, the next will follow, then the next and the next and the next.


November

The past two months have passed in a blur. I’ve been teaching a double-load this semester, so even before my Dad died in mid-September, I’ve been preoccupied with the juggling acts of teaching, tending the house and pets, and simply staying upright. At the end of most teaching days, I arrive home completely tapped, wondering where I’ll find the energy to do it all again tomorrow. But somehow, the days, weeks, and months pass, and I’m still standing, still juggling, still trudging forward.

Every day this year I’ve made a point to take at least one picture, a continuation of the 365 photo challenge I’ve done in past years. Some days, I post my daily picture on Instagram, Facebook, and Twitter; other days, I post it only on Flickr, where I keep an album of days. At the end of the year, I like to scroll through my year at a glance. I feel a small sense of accomplishment knowing I did at least one creative thing every day, even in the face of daunting deadlines and to-do lists.

At some point, I set the expectation that my blog is where I post longer essays: entries that are longer than my simple picture-and-caption social media posts. That means that during semesters like this one, my blog grows cold. Every month, I promise myself to write daily and post to my blog more often, but busy days without writing turn into busy weeks, busy months, and busy years.

In past years, I’ve participated in NaBloPoMo by committing to blog daily during the month of November. I don’t know if I can realistically post something every single day this month, but I want to at least try to post more frequent “postcard posts”: just a photo and a couple sentences, a brief note to check in with myself and say “wish you were here.”

It’s been 15 years since Rachel Barenblat started blogging as The Velveteen Rabbi, and recently Rachel suggested that several of our long-time writing friends create a post to mark the occasion. The result was a rambling Google Doc conversation with Rachel, Beth Adams of The Cassandra Pages, Dave Bonta of Via Negativa, Dale Favier of Mole, Natalie d’Arbeloff of Blaugustine, and me: six writers reflecting on 15 years of blogging and the friendships that grew out of it. Below is an excerpt from that conversation.

Buried Temple, by Natalie D’Arbeloff. Acrylic on paper, 37cm x 37 cm.

Rachel: Writing is one of the fundamental ways I experience and explore the world, both the external world and my own internal world. I think it was EM Forster who wrote, “How do I know what I think until I see what I say?” Blogging as I’ve come to understand it is living one’s life in the open, with spiritual authenticity and intellectual curiosity, ideally in conversation or relationship with others who are doing the same.

Dave: At some level, it’s easier to keep blogging at Via Negativa, the Morning Porch, and Moving Poems than it is to stop. Basically I’m an addict. Writing poetry is fun for me — entering that meditative head-space required for immersion in writing. As for the social aspect, I’ve been in, or on the periphery of, several distinct blogging communities over the years, and at one time, we all commented on each other’s sites, but with the rise of social media, most blog commenting went away — and I’m not entirely sure that’s a bad thing. Writing and responding to comments did take up a lot of my time ten years ago, and now that I can scratch that conversational itch on Twitter, or in real life with my partner, I’m OK with most interactions on my blogs being limited to pings. But I must immediately qualify that and admit that Via Negativa is a special case, because for well over half its existence now I’ve enjoyed the virtual companionship of a co-blogger, the brilliant and prolific poet Luisa Igloria, and a small number of occasional guest bloggers as well. I wouldn’t say I’m competitive, but Luisa’s commitment to a daily poetry practice has definitely forced me to up my game. Then there’s Mr. Pepys. My Pepys Diary erasure project grew directly from sociability: my partner and I wanted to read the online version of the diary together, and I worried I might eventually get bored with it if I weren’t mining it for blog fodder.

Lorianne: I am not attached to the medium, but I am attached to the message, and the process of creating/sharing that message. There has been a lot of hand-wringing among bloggers over the “death of the blog,” with long-time (and former) bloggers worried about attention divides between blogs and social media. Where do “I” live if I post in multiple places: on blog, in a paper notebook, on social media? For those of us who do all three, the result can be confusing, distracting, and frazzling…or it can be creative, collaborative, and synergistic.

Dale: I didn’t really expect ever to have readers, so in a way, having readership dwindle is a return to the early days… I’ve outlived some of my personas — I’m no longer recognizeably very Buddhist, and my politics have morphed in some odd ways. I don’t think I’m as salable an item as I used to be 🙂 But the inertia, as Dave said. When I do have something to say and my censor doesn’t step in, the blog is still where I go. It’s been home for fifteen years: my strand of the web… The community that was established way back when is still important to me, and still a large part of my life. And there’s still a lot of value in having a public space. The act of making something public changes it, changes how I look at. I become the viewers and the potential viewers. It helps me get out of myself. It helps me work through my favorite game of “what if I’m wrong about all these things?”

Natalie: Why the hell still blogging? Not sure I am still blogging. I put something up on Facebook whenever I feel like saying hey, listen, or hey, look at this. Then I copy/paste the post to Blogger where I keep Blaugustine going, mainly out of a sense of imaginary duty. The idea that there are some real people out there who may be actually interested in some of my thoughts and/or artwork is undoubtedly attractive, even necessary. I live a mostly hermit life and don’t get much feedback of any kind. But my interior life is very active, all the time, and having a tiny public platform online where I can put stuff is really helpful. To be perfectly honest I think that’s about it for me and blogging at present. I don’t do any other social media, it would all take too much time which I’d rather devote to artwork.

Beth: I think a lot of it has to do with a sense of place. My blog is like a garden or a living room that I’ve put energy and thought and care into as a place that’s a reflection of myself and is hopefully welcoming for others.. The discipline of gathering work and talking about it coherently has been extremely good for me and for my art practice. And I’ve also really appreciated and been inspired by other people who do the same, whatever their means of expression. There’s something deeply meaningful about following someone’s body of work, and their struggles, over not just months but years. In today’s climate of too-muchness and attention-seeking and short attention spans, I feel so encouraged and supported by the quiet, serious doggedness of other people like me!

Graffiti alley

Today I wrote in my journal after too much time doing everything but writing: a lacuna of days. I’ve been faithfully writing in a five-year diary–just a few lines describing each day’s routine–but I’ve been too long away from my actual journal, subsumed with other things.

Pink heart

When I don’t write in my journal, my fountain pen dries up and so does my creativity. I miss simple things like paying attention to a robin clucking outside the window as the day deepens to dusk and the dog lies sleeping on a pile of pillows. One day, I tell myself, I’ll cherish this scribbled record of ordinary days; I’ll look back in curious wonder at this strange person I used to call “me.”

Mulxer

This morning I gave interviews at the Zen Center. Although I’ve been meditating regularly at home, I’ve been too long away from formal practice: another lacuna. But no matter how far you wander from your practice or the page, there they are waiting for you when you return.

Blue hair

I miss the predictable informality of daily blogging. Facebook and Flickr have become the places I post my daily jots and titles, which occasional overlap onto Instagram and Twitter. My blog has become by default a repository for longer, more methodical essays–the place I post when I have Something To Say, which means days and weeks go by between entries.

Miami

In my early blogging days, I didn’t let a perceived lack of inspiration stop me from posting. Instead, I showed up and started speaking even before I knew what would come out. In those early, more innocent days, I often found I did indeed have something to say, but I discovered that something only in the process of saying it. Leap and the net will appear, or build it and they will come.

Spread love

I’d like to get back to that routine, spontaneous commitment to show up and see what happens. It’s a habit that has served me well for some fourteen years; I’d be sorry to wander too far from it.

RIP Prince

Without much hoopla, Hoarded Ordinaries has made the awkward transition from tween to teen:  it’s been a little over thirteen years since I published my first blog post on December 27, 2003. Because my blog anniversary happens so close to the New Year, I typically use the occasion to post some sort of retrospect on the previous year in blogging. So in honor of Hoarded Ordinaries’ thirteenth birthday, here are thirteen posts from 2016.

End white supremacy

Many people were happy to see 2016 go, given its tumultuous conflicts, violent outbreaks, and tragic losses. When I look back on 2016 through the lens of my blog, I see frequent reminders of loss and heartbreak. I blogged relatively little in 2016, averaging less than a handful of posts most months. (In September, I only posted once, which is unusual for me.) One of my resolutions for 2017 is to blog more, and considering I posted only three entries in January 2016, I’m already on-track to blog more this January than last, at least.

Bunny enjoys her lap-time

Last year began with J and me putting Bunny the cat to sleep, a sad event I chronicled in “Traveling Mercies.” In May, we put another of our cats, Crash, to sleep, and I described the now-too-familiar experience of coming home to a too-big, too-empty house in “His ninth life.” As if euthanizing two cats weren’t enough, in October we put our elderly beagle to sleep after a sudden seizure led to a diagnosis of metastatic cancer. I never got around to blogging Melony’s death: I never found (and still don’t have) words to describe the sudden, beagle-sized hole in our household.

Float reflections

Many of the tragedies of 2016 transcended the purely personal. In “A world full of swans,” I responded to the Orlando nightclub shootings, and in “The cries of the world,” I addressed gun violence by and against police. The election of Donald Trump was a development I’m still reeling from, and I described my reaction in a post titled “Aftermath.”

Stickwork

Not everything in 2016 was drear and disappointing. In August, I enjoyed a trip to the Brookline birthplace of John F. Kennedy, which I blogged in “The house on Beals Street.” In October, I enjoyed a trip to the Tower Hill Botanic Garden to see a stickwork installation by Patrick Doughtery, which I described in “Where the wild things are.”

Journal pages

Although I didn’t write much in 2016, I did meet my goal of reading (more than) 50 books, which I recorded on Goodreads. Of the books I read in 2016, I particularly enjoyed Alexander Masters’ A Life Discarded, which I discussed in “Trusting your days to the page“; Ta-Nehisi Coates’ Between the World and Me, which I mentioned in a September post titled “Between the book and me“; and Kerry Egan’s On Living, which I reviewed in a December entry of the same name.

RIP Bowie

Many of my blog entries aren’t easily categorized: one of the things I love most about blogging, in fact, is its random and ragtag nature. In a February post titled “As the moment unfolds,” for example, I describe the flying-by-the-seat-of-your-pants feeling I have whenever I teach a new course for the first time, and in “A grace freely given,” I describe the feeling of abundance that comes from leaving a book in a Little Free Library. Finally, in “Keep your options open,” I describe the spacious, free-fall feeling that comes in the summer when I have time to write but haven’t yet defined a topic.

Wake up and do good

For thirteen years, Hoarded Ordinaries has been a place where I’ve explored the creative abundance of writing by the seat of my pants, with or without a clearly defined topic. Here’s to another year of posts both random and ragtag.

Art Wall

My twelve-year blogiversary was several weeks ago: it’s been twelve years and a couple of weeks since I posted my first blog post on December 27, 2003. Each year, I usually use the occasion of my blogiversary to review my favorite posts from the previous year, but this time around I want to reflect on a broader theme: what have I learned from a dozen years of blogging?

Walkway

The deepest and most lasting lesson I’ve taken from twelve years of blogging, I think, is that it’s always good to be writing. Sometimes on a doubting day I second-guess the time I spend on my blog: surely there must better, more lucrative, or more prestigious projects I could devote myself to. But when I consider how I actually work—how and where my Muse strikes, the kind of things that interest me, and the way I spend my days—I realize blogging nicely matches my creative proclivities. I like writing about an assortment of little things, and I like the way both journals and blogs focus on a ragtag selection of loose ends. Given the challenge to write a Big Book about Something Profound, I clam up, but given the opportunity to share whatever little something comes to mind, I always, eventually, find something to say.

Contemporary

Truth be told, if I weren’t blogging, I probably wouldn’t be writing much. It’s easy to assume that if you didn’t spend a little bit of time every now and then writing about whatever random stuff interests you, you’d suddenly have ample opportunity to focus on sustained profundity, but I think the opposite is just as true. If I ever were to write a Big Book about Something Profound, it would be exactly because I’d flexed my noticing on the scales and arpeggios of daily writing. Henry David Thoreau didn’t write the books that made his reputation despite the fact that he kept a journal; instead, Thoreau’s journal is where his books were born. As much as I enjoy and have come to rely upon my daily journal pages, I also enjoy the accountability and immediate feedback that writing in front of an online audience provides.

Face to face

Blogging is an ephemeral form—a genre that focuses on the minute details of passing days—and as such can sometimes seem not to count for much: at the end of twelve years, what do I have to show for the time I’ve spent? But I’m not sure a lasting legacy is the best way to judge a writer’s (or any other mortal human’s) real worth. After a dozen years, an architect might point to a building erected, but what does a chef have to show for her devoted labor? Does cooking nourishing meals—each one consumed with grateful gusto down to the last crumb—count for nothing simply because the leftovers do not last?

Walkway

If I write something fulfilling and tasty today, I still need to write something tomorrow and the next day and the next: a blogger’s work, like a woman’s, is never done. But some of life’s greatest joys are ephemeral, every dance begging another just as every kiss commands its consequent. Just because something doesn’t last and thus must be repeated doesn’t mean it’s not worth doing. To the contrary, the impermanent and the ephemeral push us to live in the moment, spending with abandon whatever we have NOW and trusting that in the future, more will be provided.

Korean art

What I have to show for the past twelve years of blogging is nothing more than a determination to keep blogging for another dozen, the practice of almost-daily writing being its own reward. Whenever I teach the basics of meditation, I note the special temporal nature of the breath: unlike thoughts, which can wander into the past or future, the breath brings us back to the present exactly because it can happen nowhere else. Try as we might, we can’t recover today the breath we lost yesterday, and there’s no way to stockpile today’s breath for tomorrow. The only place you can breathe is right here, right now.

Partly cloudy

A blog is like a fog of breath on a mirror: yesterday’s brilliant utterance cannot make up for today’s sudden silence. If you want to stay alive, you have to keep breathing, and if you want to keep blogging, you have to keep writing. There is no resting on your laurels in this business: as a blogger, you’re only as good as your last post just as a body is only as alive as its most recent breath.

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